Sales tax maybe assessed on full value of a new device purchase. Actual value awarded is based on receipt of a qualifying device matching the description provided when estimate was made. Trade-in value may be applied toward qualifying new device purchase, or added to an Apple Gift Card. You must be at least 18 years old to be eligible to trade in for credit or for an Apple Gift Card. I didn’t intend to share it, but as I write this, I realize it may be helpful to you.Trade-in values will vary based on the condition, year, and configuration of your eligible trade-in device. In my brainstorm of which iPhone to choose for myself and which one to recommend to photographers like you, I created a mind map/decision tree. I did really enjoy using the extra focal length of the Telephoto and pushing the Max in low light, but it feels massive in my hand and it’s hard to operate as a single-handed camera, so I’m still debating which iPhone is right for me. Perhaps this highlights how much the iPhone camera primarily relies on software to create excellent images - it’s those computational upgrades that have a dramatic impact on our images, as I wrote about in my iPhone 12 Pro review. Is the iPhone 12 Pro Max camera worth the extra size and financial investment? This is a really tough one for me - I came into testing this expecting the 12 Pro Max to outperform the 12 Pro across the board, but I really only found a substantial improvement in very specific scenes. I have never found holding to record video to be useful and still wish I could shoot bursts this way instead. I’m really glad we got Burst mode back with the Volume Up button, but I also wish I could Burst using the on-screen shutter button without sliding. What were my exposure preferences? How long was my Night mode exposure? Where was my focus point? These are the type of questions I’m asking when reviewing on my MacBook Pro.ģ) Hold on-screen shutter button for Burst. This helps me find my camera’s limitations and helps me replicate similar shots and effects (which is important if a client asks for a shot similar to something I’ve created in the past). My creative process involves shooting a bunch with my cameras, dumping the images, and then reflecting on the settings of what worked really well and what didn’t. I really wish we had better EXIF data - especially when experimenting with Night mode. I shot with it a TON in decently lit conditions, but learned to avoid using the telephoto in low-light conditions. I’m so glad to get Night mode on the Ultra Wide lens this year, and I would also be thrilled to have it on the new 2.5x telephoto lens. I handheld both devices, mounted together on my side-by-side rail - so they experienced the exact same camera shake.Ĭheck out the 100% crops on the right and consider the differences in grain, detail, and contrast. This was an auto Night mode 3-second exposure for both the iPhone 12 Pro and iPhone 12 Pro Max. I turned on the gas stove (on the right), but only for effect. This means less time for camera shake and subject movement.īelow is a scene lit only by two small candles. In several of these cases, I found the iPhone 12 Pro required 2 seconds in Night mode versus the iPhone 12 Pro Max requiring only 1 second. Think candle-lit dinner, just after sunset, or a night urban scene with some available light. This led me to the most significant improvement I found which was when shooting Wide (26 mm) and handheld in semi-low-light scenes. This got me thinking - what kind of scene is challenging for the most people and what scene leverages all of the new hardware?
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